2010 to 2012
Consultant
ANZ
2010 to now
Two timelines, kept in order.
A career and seven years of choreography ran alongside each other. The dates below are when the work happened, even when the surviving footage was posted later.
2010 to now
Career
University and part-time work
2014 to 2015
Information Assistant
David Jones
2016
Quality Assessor
Mobile Monster
2016
Bachelor of Business Information Systems
Swinburne University of Technology
Graduated.
2017 to 2018
Quality Assessor (Business Analyst secondment)
Mobile Monster
2018 to 2020
Business Analyst
OzMobiles
2020 to 2022
Career break
Leaving OzMobiles was a tough decision. I had grown alongside a small, close-knit team working across both Mobile Monster and OzMobiles through their partnership. During that time with them, I went from working part-time at university, juggling study, dance and work, to graduating and working full-time with them. I watched myself grow and the businesses grow too, which made leaving feel like the end of an era.
I was ready to explore what else might be possible, but COVID hit soon after and changed everything. Instead, I kept afloat and supported myself through streaming and helping manage YouTube channels, including helping grow one to 400,000 subscribers, before deciding I wanted more stability and work that felt like my own.
2022 to 2025
Technical Business Analyst
Computershare
2025 to 2026
Business Analyst
Lendi Group
2026 to now
Product ManagerCurrent role
Lendi Group
2012 to 2018
Choreography
2012
Joined Flare Dance Ensemble
Co-choreographed a section of an urban production piece with Carmen Nguyen.
2013
Got mentored to try choreography
First ensemble choreography, guided by former Artistic Director Jun Takahashi.
Joined the ensemble committee as a Designer
The first formal role held at the club was making things for it.
2014
PDA
First self-produced dance video, filmed by the Royal Exhibition Building.
First Theatre Production Piece
The first full production piece in the surviving record.
2015
Purpose
First casual class taught, built around creating, sharing and teaching.
Second Theatre Production Piece
2016
Focused on performances and events
Continued dancing and choreographing, with more focus on performances and events.
2017
From Adam
A conceptual casual class about the words someone never says.
Dance Camp
An accessible beginner class for a three-day offsite camp.
Say My Name
The point where choreography and video direction became one process.
Heartburn
Four separate struggles converge into one dance and an uplifting ending.
Feels
A 24-person production piece about the private struggles hidden behind public lives.
Goodbye
A farewell story where cinematography carries more of the meaning than complexity.
Not Who I Am
A playful piece that undercuts tough-guy posturing with self-awareness.
If I Ain't Got You
First intermediate class taught, with a stronger focus on musicality.
Weight in Gold, My Journey
A chronological memory book of the year, written into movement and film.
Old English
A return to sharp night-time urban movement and a lighter story.
2018
Anziety
A high-energy club piece interrupted by the sudden onset of anxiety.
Heartbeat
An Open Week class that ends with each dancer choosing between their heart or their head.
Best Part
A move away from sharp isolations and towards continuous, flowing movement.
I Swear I Lived
My final Flare theatre production piece, built as a farewell and a celebration. It was a swan song for the ensemble that's given so much to me and made me who I am.
One More Light
My final video project piece, built alongside the production piece, for a group of passionate people who couldn't make the theatre piece. It was a piece created about the journey to finding self worth, and helping others do the same.